This English painter, who in principle was close to the Fauves [1] in Paris in 1940, became one of the most important exponents of Surrealism. Argan says of this same, revealing the unconscious, recognizes that art has ceased to have a social function, unless its function does not consist in liberating the individual and society from the repression of reason.
Joan Miró, avoiding the load of symbolism in his paintings, and that this requires a justification, and justification is censorship, and the Miró painting is characterized by the absence of censorship. Handled at the level of playfulness and the biological; ovaries, star, sperm, planets ... the steady beat of life is expressed in the work of Miró.
exposure; Miró: Earth , organized by the Museo Thyssen-Bornemisza Museum in Madrid, will be open until 14 September.
This retrospective offers a new route on the work of Miró, testifying as a painter of the earthly, the material hard and compact, and the realities of life, reaffirming settled the feet and the blood on the ground. Exposure is not opposed perspectives, but serves Miró bipolar models, presenting the other side of the coin, a face, if not hidden, generally neglected.
[1] expressionist art movement, whose main characteristic is the strong color management basically
sources:
- Argan, Giulio Carlo, The Modern Art of the Enlightenment to the contemporary movements, the time of functionalism, Ediciones Akal, Art and Aesthetics 27, Madrid, 1998, (1991), p. 419, 420
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