then comes a nightwing and robin
not whether to go undressed
like and not like the idea
sexy and will only leave the lynch porn haha \u200b\u200b
that a hug
Thursday, August 19, 2010
Sunday, August 8, 2010
Couples Love Making Clips
A Red Lantern and Hawk in a motel night long jajajajajajaja we performed no updates, but engages BROWNIE more time-STUDIO ... Greetings I hope you like!
Tuesday, August 3, 2010
Balsa Wood Bridge Building
kaleidoscope art, from the perspective of Dadaism
Extract from Article Does anyone know what is art? Marta Zatonyi
Dadaism wandering, violence, among these factors. His program was to experience this cost, while his aesthetic was based on the continued provocation and aggression, their proposals were characterized by illogical and absurd attitudes , constituting a way of being provocative, amalgamated playful and sarcastic tone. But behind these methods and attitudes as individuals, stood the anger and panic. The Dadaists were frightened and angry children of war and a road once built with faith and trust as a project, but eventually led to terrible disasters. While this movement spread from his native Europe and was adapted in other regions too, has its own voice only where there was war and settled where they fled from it.
While those artists and theorists, led by the destructive anger and hatred of disappointment rightly assault his art is aimed at concealing the tragedy by a hypocritical and empty beauty and human commitment trocar by delusions of grandeur, the same hopelessness can be a breeding ground for a waiver sterilizer. "
Dadaist Innovations possessions in this fragile and dangerous border between our world and what it is only and exclusively drive and organic, public events, creative gestures.
The great value of his aesthetic and his body of work is that despite the inherent threat contingency had been redirecting its creation to new artistic and ideological horizons. Who would have thought in contemporary art without the dangerous and surprising power of Dada? " 
Extract from Article Does anyone know what is art? Marta Zatonyi
Nude Descending the ladder of Marcel Duchamp (1912)
"The borders between the sublime, organic, madness, and the continuing attacks against the same language, are not only bored but also mobile , winding, unpredictable.
Dadaism wandering, violence, among these factors. His program was to experience this cost, while his aesthetic was based on the continued provocation and aggression, their proposals were characterized by illogical and absurd attitudes , constituting a way of being provocative, amalgamated playful and sarcastic tone. But behind these methods and attitudes as individuals, stood the anger and panic. The Dadaists were frightened and angry children of war and a road once built with faith and trust as a project, but eventually led to terrible disasters. While this movement spread from his native Europe and was adapted in other regions too, has its own voice only where there was war and settled where they fled from it.
had not sacred worth. All fell under the crushing sting of sarcasm and fury. All about what they rightly or wrongly assumed he could have been involved in this insane situation that was war. In this case again there is a danger of crossing the boundaries that are drawn between culture, their laws, their big successes and big mistakes (assuming that culture is everything that man created, built, invented) and natural reality, is human internal or external.
While those artists and theorists, led by the destructive anger and hatred of disappointment rightly assault his art is aimed at concealing the tragedy by a hypocritical and empty beauty and human commitment trocar by delusions of grandeur, the same hopelessness can be a breeding ground for a waiver sterilizer. "
Dadaist Innovations possessions in this fragile and dangerous border between our world and what it is only and exclusively drive and organic, public events, creative gestures.
The great value of his aesthetic and his body of work is that despite the inherent threat contingency had been redirecting its creation to new artistic and ideological horizons. Who would have thought in contemporary art without the dangerous and surprising power of Dada? "
- Source: www.ethosestudio.com.ar
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