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the film Who Framed Roger Rabbit? Amelie

Hello, today I will gazette a movie I saw when I was a kid, I saw with my brother and I loved it so much today I called her gazette Who Framed Roger Rabbit, a mix of reality with fiction, another similar type of film is to SPACE JAM starring by MICHEL JORDAN . 1111111111111111111111111111111111111111111111111111111111111111111111




TITLE -> Who Framed Roger Rabbit? 4444444444444444444

ORIGINAL TITLE -> Who Framed Roger Rabbit?

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DATE OF RELEASE IN SPAIN -> 1988


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DURACIÓN--> 103 min

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DIRECTOR--> Robert Zemeckis
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REPARTO--> Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, Stubby Kaye

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GÉNERO--> Animación

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SINOPSIS:

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Eddie Valiant (Bob Hoskins) is a small-time detective who is hired to find proof that Marvin Acme, the business magnate jokes and owner of Toontown, is hanging around with Jessica Rabbit, femme fatale and wife of superstar Marron Cartoon, Roger Rabbit. When he discovers the murder of Acme, all evidence points to Roger. Then the sinister and ambitious Judge Doom (Christopher Lloyd) is undertaking all actions so that the arm of law reaches Roger. This begs Valiant, enemy of the Toons, your help to find the real culprit, but the matter will be complicated as Eddie is discovering, scandal after scandal, that the very existence of Toontown danger. 444444444444

Trivia and kits ->

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* How to create Jessica: the silhouette of Rita Hayworth in the style of Lauren Bacall and Veronica Lake.

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* To promote the film, Roger and Jessica Rabbit signed a contract with a brand of cola to advertise your product light.

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* The film makers wanted as guest stars to Popeye and Felix the Cat, but did not get the permits.

44444444444444 * Of all the merchandising generated following the film, there was one for which no permission was given, the creation of an inflatable doll of Jessica.

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* The first time that Zemeckis received the script was in 1982 and had not shot his two highest grossing films, "Back to the Future" and "Romancing the Green.

555555555555555555 * The Warner gave Bugs Bunny Daffy Duck, Tweety and Woody Woodpecker, among others, provided to control the behavior of their stars and both Bugs Bunny and Daffy Duck get out on screen as much as Donald Duck and Mickey Mouse.

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* There is a persistent rumor that the LaserDisc edition of this film has a few frames of Jessica Rabbit without panties, visible when she and Eddie are thrown out of the taxi. 222222222222222222222222222

* Robert Zemeckis thought Eddie Murphy for the role of Eddie Valiant, but producers were not closely identified with a product aimed at children. 4444444444444444444

* Benny the taxi driving through a bridge while being chased by weasels. The bridge crosses the highway used to pass through the grounds of Walt Disney studios in Buena Vista Ave, Burbank.

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* For the role of Edi Valiant (Bob Hoskins), is thought in Clint Eastwood, but it was not interested in the project.

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* Despite being a marvel, the movie was not pleasing to the flesh and blood character, Bob Hopskin, who said that never again work in cartoons. "The rabbit is a and a robaplanos chupacamara." For its part, the director Robert Zemeckis (Forrest Gump, Back to the Future) said that much work had cost him that if he gets to know the film would not have started and I'd never do a sequel (and since then been met) .

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* Hoskins's son seems to be angry with her father for not bringing home any of the animated characters of the movie to know them. 55555555555555555555

* Betty Boop first appeared in years. Rumort quickly became known that the animators had slipped one frame of Betty nude, invisible to the audience, of course. If such a frame existed or not, we'll never know. 5555555555555555555555555555555555555555

* At the time that the judge wants to crush the steamroller Eddie Valiant, this change of direction just at the moment when they are fighting, Valiant tries to hit the judge with a pot of glue and then observed the change of direction of the bulldozer.

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SOME PHOTOS ->

TRAILER -> I leave the trailer is in English but ...

http://www.youtube.com/watch?v=Rp7G0Cc2DFA

do not know if you have seen this movie but is funny to watch!

Un besito ^ ^

Math Problem With Heparin

Hi, I'm sorry for aber taken so long to renew, but I'm very busy studying ... these tests seem to never end!

Bune, today I will ablate a movie that I find very original and beautiful called AMELIE. Many of you already seen the Abreise!

Year -> 2001
Country -> France-Germany
Release ->
19/10/2001 Genre ->
Comedy Time -> 120 min.
T. original -> Le fabuleux destin d'Amélie Poulain
Address -> Jean-Pierre Jeunet
Interpreters ->
+ Audrey Tautou (Amélie Poulain)
+ Mathieu Kassovitz (Nino Quincampoix)
+ Rufus (Raphaël Poulain, Amélie's father)
+ Yolande Moreau (Madeleine Wallace, the goalkeeper)
+ Artus de Penguern (Hippolytus, the writer)

Synopsis:
Amelie is a girl like no other. has seen his slide goldfish municipal sewers, his mother died in the square of Notre-Dame and his father devoted all his affection to a garden gnome. Grew and became a waitress in a Montmartre bar. Amelie's life is simple: he likes to throw rocks into the Seine, watching people and let their imagination. Suddenly, in her twenty years, Amelie discovers her purpose in life: to fix the lives of others. He invents all sorts of strategies to intervene, without realizing it, the existence of several people around them. Among them is the concierge who spends his days drinking port wine, Georgette, a hypochondriac tobacconist, or "glass man", a neighbor who sees the world only through the reproduction of a painting by Renoir.

Some curiosity about the movie and kits ->

* At first, the role of the protagonist would have been played by Emily Watson, for which he wrote Jeunet paper, but this, despite the interest shown by the project, declined the offer for personal reasons.

* 2 was filmed between March and July 7, 2000 in Cologne and Paris.

* was rejected at the Cannes Film Festival 2001 and presented in the Zabaltegi Film Festival San Sebastian 2001.

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* It has become the great success of the season of French cinema.

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* The cafe where Amelie works there exactly as it appears in the film and is located in the rue Lepic, about Moulaine Rouge. 4444444444444444444444444444

* Paris is a city crammed with graffiti, and the areas in which the film was shot had to be cleaned and restored. 4444444444444444444444444

* In the district of Montmartre, some bakeries have created a kind of loaf called Amelie. 4444444444444444444444444

* In the scene where Amelie is a girl and you have given a camera takes a picture exactly when the cloud-rabbit, the button changes the camera side. How curious ...

444444444444444444444444 * The first time that Amelie comes home from the bowl ... something strange happens. In the image that opens the lock, his jersey has changed. But when it comes into the house again the it was. 4444444444444444444444

Nino * When going to see her in the cafeteria, and Amelie is writing the menu, according to the image of the letters change. Especially the d. .. 444444444444444444444

* At first the girl was Emily called instead of Amelie.

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Photos of the movie ->

I hope you have enjoyed, a ^ ^
BesooO

Hair Quotes For A Wedding

Xul Solar, in the American utopia

America was, for Europeans, the promised land, Columbus believed possibly feet and other face value, then try to locate the Garden of Eden somewhere in the vast immensity newfound ...

The new world was not fruitful in new utopian proposals (after the Jesuit missions in Argentina, Colonia Cecilia and the two phalansteries fouriristas of San Francisco (Sai \u200b\u200band Palmital ), in Brazil, and other experiments sons of utopian socialism in Paraguay and Peru), concordantly, the Latin American vanguards of twenty and thirty-surrealist included-also showed no attraction to utopian component.

But there will be in the field of visual arts which arise utopian visions and worlds apart really original and the European look. Xul Solar, in Argentina, since the end of the decade of ten until his death in 1963, developed and perfected a utopian concept that should be read both in his paintings and in his writings ... in their Cubist works can be viewed strokes, vibration futuristic Dada joints and even coloratura kleenescas with greater intensity than remnants surreal.

The theoretical development of the issue of body imperfections and create you need parts, natural or artificially-Xul borne by two fundamental writings, but both texts are predicted and succeeded by a rich iconography that illustrates that the artist displayed.

Xul In 1915 he painted a series of works that have as their central theme the angels, possibly in a stage of its course mystical. All have in common: little angelic or dark faces, halos that become transparent helmet, extra legs. Anjos is the more striking because the figures have demonic faces and more resolutely maintain a kind of small fins on the abdomen of her peers, producing the effect of two pairs of legs, some land and other amphibians. The hands of the elderly have become lamps that emit a call illuminating the road. In Manifesto of 1927, the human figures to serve as masts living the teachings of several nations, including those of Argentina and Brazil, and mestizos Two aircraft and people, from 1935, give wings to the body imperfect and misfit human.

Dos Anjos - 1915 + Airplane Mestizos and People - 1936

Xul had faith in the natural development of the species because, in the first of the letters mentioned above, outline of a proposed change being human, foretells that, following a storyline like ours, the brain will grow as appendices will be needed to hold the upper body, the mouth will have a long tongue and vocal cords to double talk and sing, and the heterosexual sex combine to play (because selfing in their degenerating results, it is contraindicated) bisexual and monoecious, which could be useful to broaden the experience and mental maturity.

However, Xul seems to be satisfied leaving it exclusive nature perfecting his own work, in the second letter, A semi-technical lgo anatomical and authorities on best new suggests possible additions and amendments as a matter of implants and surgery, with a stiff tail to stand more comfortable or big breasts nurse to work. Ie, with a parodic dye bias that make it even more modern than their colleagues, not only cares about what is necessary but what convenient.

to the idea that the evolution-natural or artificial, must not only meet the minimum required to meet the work seems diaphanous Na (1923) showing the film a woman completely transparent, in which body, naked eye, to admire internal organs. Handy for the detection of anomalies and the dream of hypochondriacs.

Na Diaphanous - 1923

is interesting to pay attention to titles that Xul put two of his works of 1946: Most plants and rocks and live. It is clear that the artist displays a peaceful process of conversion of men into rocks, and over, and men in plants, still under way.

Almost Plants - 1946 + Lagui Rocks - 1933

The city has been considered the arena of detonation modernist space (the city), object (the machine) and desire (utopia) have functioned as the triad characterizing the vanguard and the city has been billed as the scene where the show whose audience is the whole world.

Against the predictions, Xul imagine their worlds with a very small population. Two reasons may have prompted this idea: that the human race was already a rarity, for crosses with other kingdoms (Country Red Teti, 1949) or they reflect his works is the part of humanity, for spiritual elevation, dwell in other bodies in space.

Red Country

Teti - 1949

To learn more about Xul Solar's work, visit the museum: http://www.xulsolar.org.ar/xulobras . html

- Text compiled and adapted from: The Latin American Utopia: Xul Solar, Matta and Lam Lorenzo Alacalá May. PAN Foundation KLUB - Xul Solar Museum