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The Zionist attack again ...

the Very sad episodes that are happening in the Gaza Strip . We shout in unison: ZIONISTS ARE YOU TERRORISTS! as was done yesterday at the Embassy of Israel in Madrid .

Israel wants to establish his dictatorship a canon shot. The human madness has no limits. How can we expect peace bombing civilian targets? Or ruthlessly killing ordinary people, women and helpless children?

hope they give them their due unscrupulous murderers.

Everything is clearly orchestrated from very high places whose existence we have not the faintest idea of \u200b\u200bordinary people: Barack Obama wins in crisis International Israel-Palestine conflict is clearly worse ... everything points to the New World Order who want to establish these insane and of course not going to achieve, since they will have to fight hard against the resistance that we will give people (unfortunately little) still possess an ounce of brains to think.

not be fooled with friendly faces (Barack Obama) are just faces, image ... remember that we live in a world of image and the image is all that counts. Obama sell image, sell ideas because it has. Bush gave a bad image, but necessary at the time of stress the people on the street. Now the same people on foot, cheat and sedan again with more than opium. Opium for the people in the form of meaningless political leaders but full picture. Lying image that takes the form of hope. Obama = hope. But it saddens me to see that it's all a huge lie. Obama only serves to establish definitively and without tension (with the consent of a sleepy village and completely alienated) opinions of insane New World Order.

Henry Kissinger recently announced the possible creation of "a new international system to address the World Crisis" ... will the Bank of Banks expected the next surprise of despots? What

U.S. made the subject of Gaza?
... for being in favor of Israel, as usual.

Palestine, we are with you.

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The Goethe-Institut, performed for the second time the series of exhibitions called "Made in Germany Architecture + Religion" featuring 9 projects of German religious architecture in recent years. The exhibition that runs through Latin America, is currently in Raúl Otero Reiche Cultural Center of the City of Santa Cruz de la Sierra, from 6 moviembre.

"The exhibition includes photographs and explanatory texts as models, showing an exemplary nine religious buildings created in Germany in recent years, among which are churches, a synagogue, exhibition halls and a crematorium. Contemporary religious life in Germany is marked by two current mainstream Christian church. About 70% of the population belongs to the Evangelical or Catholic, 25% do not belong to any religious denomination, 4% Muslim and 1% belongs to the Jewish religion. The research conducted by the Goethe-Institut and the Aedes Gallery in Berlin, showed innovative architectural developments in Germany in recent years, especially in the case of the construction of Christian churches. "

this time I bring the images of the buildings themselves, to appreciate and understand the role of the church today is reflected in the contrast between the bustling western society and the possibility of tranquility and meditation that religon can offer very different role from the past ecclesiastical role, as an entity of active power with large, imponetes buildings.

religious space today, has changed its nuances.

Sacred Heart Church Allman Sattler Wappner, Munich 1996-2000 Munich

Church San Teodoro Paul Böhm, Cologne Cologne Vingst, 1999-2001

Pavilion Christ Architekten von Gerkan, Marg und Partner, Hamburg Volkenroda, 2001

Maqría Church Kister Scheitenhauer Magdalena Gross, Cologne, Freiburg im Breisgau, 2002-2004

House of Silence with Konstantin Pichler Peter Kulka, Cologne Meschede, 1999-2001

Chapel of Reconciliation Reitermann / Sassenroth architects, Berlin Mitte, 1996-2000

crematorium Baumschulenweg Axel Schulte, Charlotte Frakes, Berlin-Treptow Berlin, 1992-1998

Synagogue Wandel, Hoefer, Lorch + Hirsch, Saarbrücken / Frankfurt Dresden. 1998-2001

-Text: arteenlared.com and Xi. Romero

-Photos: Web

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total was about slavery

out! most ferocious wolves hiding behind a sheep costume. It is clear that Obama would win, because that is what they need now, calm down. It's all a big fraud, Obama is like Bush, just change the costume. They're puppets. The left and the right do not exist, there are the elite of power, the World Bank, and transnational corporations. Obviously there is a vast conspiracy hiding behind all this, who wants world domination and who work with massive deception of the mass media and education.

The dollar is on the verge of collapse. They have created a global crisis, to establish their New World Order in the most pampered and simple as possible.

The first step has been to lead us into a crisis, the second has been to give a softer side to the "emperor" of the day, the third will be sinking into total slavery, because we ourselves indulge without putting any impediment .

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German Religious Architecture Seminar: Art & Architecture .... The question of aesthetics

Agenda

1. What is aesthetics?, Meaning of the word, why and for aesthetics, the aesthetic concepts over time.

2. What is art, and that's because art. Paradigm. Who determines what is art?, From Hegel: the voice of the master and esclavo: centro y periferia. No todos accedemos al arte. Lo bello y lo feo en el arte.

3. Épocas en el arte:

A Renacimiento, el antes y el después: la instauración del Cristianismo como referencia fundante. El Manierismo como culminación: un periodo de desilusión. El paradigma en el Renacimiento. El quattrocento italiano {Gioto, Leonardo da Vinci, Donatello, Rafael, Tiziano, Jan van Eyck, Masagio, Miguel Ángel}. La perspectiva renacentista: de Giotto a Cezanne.

B Siglo VXIII, reina la incertidumbre: el punto de inflexión rumbo hacia los tiempos modernos. El barroco como referencia anterior: la estética de Luís XIV: Versalles. Inicios del capitalismo, el Iluminismo as a central thought, {Roueseau, Montesquie, Diderot}, Rococo, pleasure of the material, {Batto, Fragonar, Bouchart, Chardin, Liot, Canaletto, Guardi, Gaensbourgh, Hogarth,}. Civic architectural utopias {Boulle, Ledoux}. The French Revolution as a paradigm final milestone.

C nineteenth and twentieth centuries, a new event for Art and Architecture: civilization vs. barbarism. The architecture of the engineers in the nineteenth century. The Impressionists, Symbolists. Modernist architecture and urbanism. Art Nouveau. Expressionism. Twentieth century, the era of functionalism: a period of great confidence, {Le Corbusier, Mies van der Rohe, Alvar Alto, Walter Gropius, Frank Lloyd Right}. Painting and sculpture.

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Something Picasso

In 1948, Eugenio Arias and Pablo Picasso were found during the exile in the French Mediterranean coast, starting from then close friendship between the two. Eugenio
worked as a barber shop owner, who strengthened the relationship with the painter, not only deepening their friendship with which serious in 1961 Picasso's wife, Jacqueline Roque, but with the circle of the same, people like Jean Cocteau. Many of them wanted to be photographed with the famous painter during his stay in France, wanting to catch their success, so Eugenio Arias, was especially Picasso wanted it asked for nothing.

As Eugene gave his work and his memories of Picasso, this regaled him samples of their work with drawings and inscriptions in books and barber, sharing not only the traditional subjects themselves a distant Spain, if not its concern for the present of a country that could not return, which supported from movement against Franco.

few months ago and, in June this year, was presented in the House of Culture of Buenos Aires, the Museo Picasso - Eugenio Arias Collection, who was the barber and friend of the famous painter.

works obviously not as famous as the Guernica, but do show a beautiful collection drawings, diagrams and sketches of the themes in common with Arias: bullfighting, referring to political prisoners and tributes to the profession as a barber. Many of these pictures remind us the rock carvings by the freshness of the movement of the strokes.
are appreciated too, issues that evoke a classical living in the Greek and Cretan gods, fauns and goats, that is, visions outside the Picasso production of the second half of the forties. In this regard, María Dolores Jiménez-Blanco writes:

"Picasso, moved away from the current art, took refuge in the past, with perhaps half. Needed, at any rate, review, parody and show their respect, and revenciarlo demystify the time. "

profound shift away from abstraction, some quick drawings of Picasso, scrawled in dedications, may itself be self-portraits, the figure of his current wife Jacqueline appeared at times, [note the portrait of woman with purple bandanas on the head] and Arias' mother, Nicole , whose austere portrait served in 1960 for a campaign for amnesty for English political prisoners, as Eugenio Arias and Pablo Picasso. Arias
treasured for many years the work of his friend, hoping someday to bring democratic Spain.

"Today, from its headquarters in Buitrago de Lozoya, in the mountains of Madrid, her collection is an invitation to rediscover Picasso. Because yours is a different Picasso: intimate, familiar, friend of the barber, bullfighting aficionado, idealistic exile. But also a Picasso myth of twentieth century art, a modern classic that has been able to breathe new life into genres and ancestral forms, such as ceramic or engraving, to venture to the absolute lack of bias in the tradition, and explore as freely as possible the most varied fields of artistic creation. "

sources:
- Picasso en Buenos Aires City Government, Madrid about you [publication list]

- Photos of Xi. Romero and Web

Late Engagement Wishes

The information and control of information is what creates power, the robots of Firefox 3 have a plan and go for you.

information and control of information is what generates power. There is nothing more powerful than the "education", "information" and control over them, you can feed the "false victory" of an empire as our "techno-empire." Our current rule false (techno-empire), has very clear pyramid factors in its basic constitution. At the top of the pyramid is the so-called "mega-intelligence" of the "mega-powerful." And what prevails in this figure of destruction and annihilation of the human race is, apart from obvious evil and demonic tendencies, the dominance of reason and rational intelligence over the other qualities of the human being what is Satan but very use of excessive reason that transforming every relationship ends in mechanics and serialized? It requires a human "programmable" to support a grotesque world and doomed to failure, precisely because of their own lack of core principles. More than "missing" could talk of "forgetting" or "progressive fall in the area."

I like science fiction. And I like to sometimes see an approximation in the genre not the future, but certainly at present. Science fiction talks about meta-worlds, or worlds within worlds, no matter in what place are located at temporary or "historic." Science fiction, good, that really interests me is the talk of reality but from the point of view let's say subtle, symbolic or metaphorical also.

But certainly has to redefine science fiction as a genre, because what was until seemed little fantasy, it is now a fact. Science fiction should go beyond the obvious.

Fijense but those using Firefox browser. Just fill in the address bar: about: robots

And note the message that appears in the form of apparent hoax by programmers. Then read between the lines, watch it metaphorically. A true science fiction book unfolds in front of us right?. It is the present reality. Old science fiction became reality.

is more than clear: the robots and we have won long time ago ...